Just once we all thought that Future and Metro Boomin played the ace, revealed the jokers and drew a draw of 4, went and threw the major wild card that doubled during their reign in early 2024, they by some means manage to strengthen their already well-established legends – and yes, it expands and complicates the Drake vs. Universe argument even further.
We must have expected this when Metro revealed the title of their second album, We still don’t trust you. Originally, when he and Future first announced their plan to drop the 2 projects inside weeks of one another, fans assumed they might be treated to a repeat of certainly one of the most important moves of Future’s profession – that moment within the winter of 2017 when he dropped a self-titled album of his biggest rap hits so far, and seven days later it fell HNDRXX, different, probably higher (it will possibly’t be denied, truthfully – it’s really higher) full-length album that fully indulged his R&B skills.
But in a post-Like That world, the second album’s title made the concept seem less closed. This Still seemed somewhat too aggressive for an R&B album, and Metro’s caption on his “job not done” title announcement post suggested that he and Future were more all in favour of attacking Drake again. The joke’s on us, after all, because we didn’t assume that if any duo could do each, it will be these two. Still is indeed a spiritual continuation HNDRXX fans (read: me) have been begging since ’17, AND reminds us that the subconscious continues to be striking when hummed.
But these two know where they began, and they know there’s bloodlust within the air – so in one other twist, R&B album Future and Metro features a surprise package of six latest rap songs with much more direct shots fired.
However, before we get to that, it have to be said: very similar HNDRXX stood taller than FUTUREwhen the dust settles We still don’t do it power-power—clean up its admittedly very excellent rap predecessor. Boyz II Men interpolations, Ginuwine subversions, Brownstone samples, like half a dozen Weeknd movies along with his voice in full angelic, ethereal mode – Future’s vocal performances and Metro’s production by some means kicked into even higher gear. From subverting expectations with a frisky little thing Miami Vice-type groove to begin with, the design just sounds great from top to bottom, with none skips. If you are counting on the outcomes, which is largely 35 heaters, the give or take that this dynamic duo has given us within the last three weeks alone, not counting the extra rap tracks from the brand new album. It’s still early within the 12 months, but it may be very difficult for any mainstream rap project within the pipeline to surpass these two.
The Kendrick Lamar/Drake beef explained
Future and Metro Boomin’s good latest album opens a brand new chapter in rap’s geopolitics as certainly one of the “Big Three” titans uses his guest verse to finally discredit one other.
And now the drama. The lion’s share of the rap community is more focused on Drake and Kendrick, but when even half of the narratives surrounding Future and Drake are true, we’re coping with real contempt here. So something as harmless as saying: We still don’t trust you track five, “This Sunday,” interpolating a Drake classic Views the album’s cut “Feel No Ways” comes off as self-serving and petty here, especially considering it made the masses realize that “Niedziela” was the primary to exist— Drake was actually interpolating, and that is why his 2016 track all the time had future credit. Is this Future simply unleashing some long-sought loose music, very similar to “Ice Attack” from the primary album or “Red Leather” from this album, which I’ll get to in a moment? Or is he a sneaky reminder to everyone that though Drake has dealt him many blows, their mutual influence has all the time worked each ways?
Credit : www.gq.com