Vic Flick, the legendary British session guitarist who chose the twangy riff for the James Bond theme song, has died. He was 87 years old.
He died on Thursday after a battle with Alzheimer’s disease. announced From his family on Facebook.
Flick also played on No. 1 hits for Peter and Gordon (“A World Without Love”) and Petula Clark (“Downtown”). performed Tom Jones’s “It’s Not Unusual” and “Ringo’s Theme” (This Boy) (1964); and collaborated with the likes of Jimmy Page, George Martin, Herman’s Hermits, Cliff Richard, Eric Clapton, Dusty Springfield and Engelbert Humperdink.
“He was a musician’s musician,” Justin Hayward of Moody Blues wrote in the foreword to Flick’s 2008 memoir.
“He always stood up to play! Yes, I know it sounds obvious — but you can’t sit down and play ‘our’ music. Real guitar heroes always stood up.
Flick had performed with John Barry in the John Barry Seven, and when the composer was brought in to rearrange Monty Norman’s original theme (1962), Flick Added a “heavy sound”. Using a Clifford Essex Paragon De Luxe guitar
“He had an edge, like a moving voice,” Flick recalled in Jon Burlingame’s 2012 book, . “I overplayed it – bent into those thick lower strings with a very stiff plectrum, played it a bit ahead of the beat, and it came out interesting, almost ‘aggressive’, fitting the James Bond image.”
Flick would perform in half a dozen other 007 films, including Shirley Bassey’s Theme (1964).
Victor Harold Flick was born on May 14, 1937 in Surrey, England. His father taught him music, and he began playing the piano. He turned to guitar to play in a band formed by his father, eventually joining Bob Court and his skiffle group and meeting Barry for the first time when John Barry was on a European tour with Seven Paul Inca. went
In one 2021 Interview For the magazine, Flick credited his guitar sound on the Bond theme to “the plectrum and guitar strings I used. I put a D’Armond pickup near the bridge. I put a crumpled cigarette under it. Packed to get it close to the strings. Most importantly, the Vox AC15 amplifier I used on tour not to be Will give – until it falls eight feet into the music pit and shatters.
“The way the guitar was recorded was also important. It was picked up by the mics for the orchestra, and it gave the guitar a mysterious, powerful sound. It was a sound that we created, to an extent, and it had a There was a bite that he liked.
In 2013, he received a Lifetime Achievement Award from the National Guitar Museum.
Survived by his wife, Judith; her son, Kevin; and her grandson, Tyler.
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